实践美学：建构的往昔与未来｜“建筑：实践美学”系列论坛之（一）

“建筑：实践美学”系列论坛之（一）

'ARCHITECTURE: PRACTICAL AESTHETICS' SERIAL FORUM (I)

实践美学：建构的往昔与未来

PRACTICAL AESTHETICS: TECTONICS YESTERDAY AND TOMORROW

主办单位｜HOST

东南大学建筑学院

School of Architecture, Southeast University

中国美术学院建筑艺术学院

School of Architecture, China Academy of Art

论坛主席｜CHAIR

戴维· 莱瑟巴罗

David Leatherbarrow

王澍

WANG Shu

论坛日期｜DATE

2018.12.01—2018.12.03

December 1st 2018 - December 3rd 2018

论坛地点｜VENUE

南京东南大学礼东二楼报告厅

Lecture Hall, Li Dong 2nd Floor, SEU, Nanjing

杭州中国美术学院建筑艺术学院14号楼报告厅

Lecture Hall, Building 14, CAA, Hangzhou

前提 PREMISE

当代对于建构的理解应该得到拓展。为了这种拓展，我们却可能必须回到过去，回到这一主题的源头。哥特弗里德·森佩尔把建构归于“实践美学”的领域，毋庸置疑，他关心美学问题：美，知觉，再现；但同时也心系建筑“实践性”的几个维度：作为一种建造事实的实在性，去适应当代文化的必要性，以及因回应地形条件而来的具体性。本次会议将质疑那种对建构的通常理解，并显示那种对结构、建造和材料的关注，如何——事实上也必须——去拥抱美、地点、目的等文化维度，以期完成对建构理解的拓展。

Contemporary understandings of tectonics need to be expanded. Ironically, such an expansion may result from a return to the subject’s beginnings. Practical Aesthetics was the field in which Gottfried Semper situated tectonics. Of course he had “aesthetic” issues in mind, beauty, perceptual meaning, and representation, but also several dimensions of architecture’s “practicality,” its constructed reality, its suitability to contemporary culture, and its topographical specificity. This conference seeks to extend current understanding of tectonics by questioning common wisdom and demonstrating how the narrow preoccupation with structure, construction, and materials can—indeed must—embrace cultural concerns of purpose, location, and beauty.

议题 TOPICS

会议的演讲与讨论将着重以下三个关键议题:

1. 美：实践性的美学一定主张并提出优雅而精致的解决方式；建造的细部与材料的处理不仅出于实用层面的考虑，同时也有基于美学追求的意义。

2. 地点：任何建成作品，必然建造于某一具体的地点；对建构的准确理解无法脱离场地（场所），对气候与氛围的认知可以拓展建构，使其进入地形学领域。

3. 目的：基于对文化模式（生活实践）的理解，来判断什么样方为“适合”，是建构方法的理性特性的表征之一。

The papers and discussions of the conference will address three key topics:

1. Beauty: a practical aesthetics must make arguments and proposals for elegant and refined solutions, construction detailing and material finishing may serve both utilitarian and aesthetic ends

2. Location: every work that’s built is built some-where, tectonics properly understood is always place-bound, climates and atmospheres extend tectonic understanding into topography

3. Purpose: decisions about suitability, in view of cultural patterns, are part of the rationality of tectonic solutions

会议日程 SCHEDULE

12月1日南京东南大学礼东二楼报告厅

December 1st Lecture Hall, Li Dong 2nd Floor, SEU, Nanjing

12月3日杭州中国美术学院建筑艺术学院14号楼报告厅

December 3rd Lecture Hall, Building 14, CAA, Hangzhou

演讲嘉宾简介

戴维·莱瑟巴罗

David Leatherbarrow

东南大学建筑学院教授，东南大学建筑国际化示范学院外籍院长，宾夕法尼亚大学建筑学院教授

Professor and Foreign Dean of Architecture Internationalization Demonstration School at Southeast University, Professor of School of Design at the University of Pennsylvania

王澍

WANG Shu

中国美术学院建筑艺术学院院长，2012年普利兹克奖得主

Dean of School of architecture at The China Academy of Art, Pritzker Laureate 2012

彼得•约翰•塞尔辛

Peter Johan Celsing

塞尔辛事务所主持建筑师，斯德哥尔摩皇家理工学院教授，瑞典皇家美术学院和皇家科学院院士，RIBA国际会员

Principle of Johan Celsing Arkitektkontor AB, Professor at the Royal Institute of Technology in Stockholm, Member of the Royal Swedish Academy of Fine Arts and the Royal Swedish Academy of Sciences, International Fellow of the RIBA

亚当•夏尔

Adam Sharr

纽卡斯尔大学建筑、规划与景观学院院长，《建筑研究季刊》主编，亚当·夏尔建筑师事务所主持建筑师

Professor and Head of School of Architecture, Planning and Landscape at Newcastle University, Editor-in-Chief of Architectural Research Quarterly, Principal of Adam Sharr Architects