讲座预告|亚当·夏尔《海德格尔:原野与建造》




讲座主题


海德格尔:原野与建造

Heidegger: Nature and Building


主讲人/Speaker

亚当·夏尔

     Professor Adam Sharr

(英国纽尔斯卡大学)

(Newcastle University UK)


主持人/Chair

朱剑飞 | 线上

Jianfei Zhu|Online

(英国纽卡斯尔大学东亚建筑讲席教授)

(Professor of East Asian Architecture

Newcastle University UK)


时间/Time

20211026日(周二)1700 

(北京时间)

17:00, 26 October 2021Tuesday

(Beijing time)


地点/Venue

线上| 腾讯会议ID644 283 935

线下| 中国南京东南大学建筑学院

东南大学四牌楼校区前工院南楼5楼会议室



主办单位/Host

中国南京东南大学建筑学院

School of Architecture, Southeast University (SEU), Nanjing, China



合作单位/Partner

英国纽卡斯尔大学建筑规划景观学院

School of Architecture Planning & Landscape, Newcastle University, UK




主讲内容

在著名哲学家中,只有极少数会专门为建筑师写作。二十世纪德国思想家海德格尔是其中之一。他在1951年达姆斯塔德的学术会议上为专业人士和学者做了报告。设计柏林爱乐音乐厅和德国国家图书馆的建筑师汉斯·夏隆,为他安排的此次活动写下了热情的赞美,向他的朋友和同事积极推荐了海德格尔的此次演讲。这次感动夏隆的演讲,后来以文章形式出版,题为“造、居、思”。文章持续再版,译成多国语言,在二十世纪后期和二十一世纪初,影响了西方建筑师、理论家和史学家群体中的几代人。当彼得·卒姆托赞美空间和材料对氛围营造的作用时;当约翰尼·帕拉斯马书写《皮肤的眼睛》时;当达利博·法斯列论述表现文化的危机时;当卡斯腾·哈里斯强调建筑的伦理极限时;当斯蒂文·霍尔讨论现象并用水彩画表现建筑的体验时;他们都用不同方式回答着海德格尔和他的关于居住和场所的观念。


Few famous philosophers have written specifically for an audience of architects. The twentieth century German thinker Martin Heidegger is one of them. He spoke to a gathering of professionals and academics at a conference in Darmstadt in 1951. Hans Scharoun – architect of the Berlin Philharmonie and German National Library – marked-up his programme for the event with glowing comments, enthusing about Heidegger’s talk to friends and acquaintances. The discussion which so inspired Scharoun was later printed as an essay called ‘Building Dwelling Thinking’. Republished to this day and translated into many languages, the text influenced more than one generation of Western architects, theorists and historians during the latter half of the twentieth century and at the start of the twenty-first. When Peter Zumthor waxes lyrical about the atmospheric potential of spaces and materials; when Juhani Pallasmaa writes about The Eyes of the Skin; when Dalibor Vesely argues about the crisis of representation; when Karsten Harries claims ethical parameters for architecture; when Steven Holl discusses phenomena and paints watercolours evoking architectural experiences; all these figures are responding in some way to Heidegger and his notions of dwelling and place.


主讲人



亚当·夏尔

Adam Sharr

英国纽卡斯尔大学建筑学讲席教授,《ARQ:建筑研究季刊》(剑桥大学出版社)主编,“建筑师阅读的思想家”系列丛书(Routledge出版社)主编。他以“设计办公室”(Design Office)从事设计实践,并在2020年荣登《建筑师杂志》40岁以下的40名“英国最优秀新建筑人才”名单。他出版、主编了八本学术专著,包括《海德格尔的小屋》(MIT出版社2017年再版),《建筑师的海德格尔》(Routledge2007年)和《现代建筑:一个极短的导论》(Oxford University Press2018年)。


Adam Sharr is Professor of Architecture at Newcastle University UK, Editor-in-Chief of arq: Architectural Research Quarterly (Cambridge University Press) and Series Editor of Thinkers for Architects (Routledge). He practices with Design Office, listed by the Architects Journal in their prestigious 40 Under 40 listing of ’the UK’s most exciting emerging architectural talent' in 2020. He is author or editor of eight books on architecture including Heidegger’s Hut (MIT Press, second edition 2017), Heidegger for Architects (Routledge, 2007), and Modern Architecture: A Very Short Introduction (Oxford University Press, 2018).




相关阅读

[1]Martin Heidegger, (1971) ‘Building Dwelling Thinking’, in Poetry, Language, Thought, trans by A. Hofstadter, Harper and Row, London, pp. 143-161.

[2]--- (1993) ‘The End of Philosophy and the Task of Thinking’ in Basic Writings, ed and trans by D. Farrell-Krell, Routledge, London, pp. 431-449.

[3]Pallasmaa, J. (1996), Eyes of the Skin: Architecture and the Senses, Academy, London.

[4]Zumthor P. (2006), Thinking Architecture, Birkhäuser, Basel.

[5]Zumthor P. (2010), Atmospheres, Birkhäuser, Basel.

[6]Sharr, A. (2017), Heidegger’s Hut, MIT Press, Cambridge MA.

[7]Sharr, A. (2007), Heidegger for Architects, Routledge, London.

[8]Harries, K., (1997) The Ethical Function of Architecture, MIT Press, Cambridge MA.

[9]Holl,S. J. Palasmaa and A. Pérèz-Gomez (1994) ‘Questions of Perception: Phenomenology of Architecture’, A&U Special Issue, 7.




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