2020-2021冬季系列学术讲座｜地形建构学
2020-2021冬季系列学术讲座-地形建构学
2020-2021 Winter Serial Lectures: Topographical Tectonics
调整标准：同步时间，量裁尺寸，整修表面
Adjusting Standards: Synchronization, Sizing, and Finishing.
时间：演讲当日21:00-23:30Time: 21:00-23:30 (Beijing Time) on each lecture day
平台：ZOOM（演讲前一天发布演讲链接）
Platform: ZOOM (URL to be issued the previous day)
对象：东南大学师生
Audience: SEU students and faculty
日程
1. 调整标准
Adjusting Standards
01/06 （周三） 戴维·莱瑟巴罗
01/06 （W） David Leatherbarrow
2. 恰逢其时的洞口
Well-Timed Openings
01/08 （周五） 戴维·莱瑟巴罗
01/08 （F） David Leatherbarrow
3. 完整，但并未结束
Complete and Unfinished
01/10 （周日） 戴维·莱瑟巴罗
01/10 （S） David Leatherbarrow
4. 建造中的准确性
Precision in Building Construction
01/11 （周一） 麦海里·麦克威卡
01/11 （M） Mahari McVicar
5. 完成状态与适应性变化
Finality and Adaptation
01/13 （周三） 半田 留美子
01/13 （W） Rumiko Handa
6. 对终将到来者的漫长等待：重复，差异以及现代主义
The Long Wait for the Inevitable: Repetition, Difference and Modernism
01/15 （周五） 爱德华·福特
01/15 （F） Edward Ford
课程描述
类型（type），标准（Standard），统一（unity）以及完成（finality），这组建筑概念被人熟知且广泛接受，却很难以与另一组常见概念相协调：具体（specificity），独特（uniqueness），介入（engagement）以及适应（adaptation）。当涉及建构和地形学，不论是理论上还是实践中，这两组概念冲突不断。
本次系列讲座将会讨论如下二者之间的紧张关系：针对建筑要素/部件制定的通用性规范/标准，以及基于场地、建造、功能而来的特殊性要求。课程将讨论的基本问题如下：当一个美妙的建筑构想遭遇一个苟且的实施环境（如今天的城市、郊区以及乡村），调整标准难道不是必须的吗？如若是，那么从概念上阐释这种调谐（attunement），修改（modification）和调整（adjustment），并通过建筑案例对相关实践加以分析，就显得尤为重要。
Course Description
Architectural concepts of type, standard, unity, and finality are both familiar widely accepted, but rather hard to square with equally common notions of specificity, uniqueness, engagement, and adaptation. Theoretical and practical conflicts between these sets of ideas arise in matters of both tectonics and topography.
The lectures in this course will address the tension between general norms or standards for the elements or parts of a building and the particular demands of a location, labor practice, and program. The simple question to be addressed in the course is this: isn’t an adjustment of standards always necessary when great ideas of what architecture should be are actually realized in circumstances that are normally not-so-great—today’s cities, suburbs, and rural areas? If so, it will be important to explain and exemplify ideas and practices of attunement, modification or adjustment.
主持人 Chair
戴维·莱瑟巴罗
Prof. David Leatherbarrow
莱塞巴罗教授是世界著名的建筑历史与理论家，他的研究强调历史与理论对设计的贡献，尤其是在现代时期。在历史、理论、设计领域，他的学术声誉源自他在建筑设计、技术、园林与景观的观念与历史发展方面做出的研究。他的所有学术工作致力于探讨建筑学的两个基本问题：地形（景观或城市）与建造。迄今他共计出版了10本学术著作。近年出版的有：《建造时间：建筑，事件和体验》（2020）、《三种文化生态学》（2018）、《二十世纪建筑》（2017）、《面向另一种可能的建筑》（2009）、《地形学故事：景观与建筑研究》（2004），以及与莫森·莫斯塔法维合著的《表面建筑》（2002）（该书获得国际建筑评论家大会的布鲁诺·赛维奖）。早期的著作包括：《不寻常的土地：建筑、技术和地形》、《建筑发明之根：场地、围合和材料》，以及《论风化：时间中的建筑生命》（本书荣获1995年美国建筑师协会颁发的国际图书奖）。这些著作已译成多种语言，其中两本已译作中文，另外两本的中文版也即将出版。在学术研究以外，莱瑟巴罗教授还是国际知名的教育家，曾获多个教育奖项，最近的奖项包括全美建筑教育最高奖“2020年度黄玉奖章”。
He is an expert in the history and theory of architecture, with specific emphasis on their contribution to architectural design, especially in the modern period. Within history, theory, and design, he is known internationally for his contributions to ideas and historical developments of architectural design and technology, gardens and landscapes. All of his work in scholarship examines two essential problems or topics in architectural design: the architectural site (landscape or urban) and architectural construction. In his scholarly work he has published nine books, most recently Three Cultural Ecologies (2018), Twentieth-Century Architecture (2017), Architecture Oriented Otherwise (2009), Topographical Stories: Studies in Landscape and Architecture (2004), and Surface Architecture (2002), co-authored with M. Mostafavi, that won the Bruno Zevi Prize from the International Congress of Architecture Critics. Earlier books include Uncommon Ground: Architecture, Technology and Topography, The Roots of Architectural Invention: Site, Enclosure and Materials, and On Weathering: The Life of Buildings in Time, which won the 1995 International Book Award from the AIA. Translations of these books have appeared in many languages, two in Chinese, another two forthcoming. In addition to his scholarship, Leatherbarrow is highly respected internationally as an educator, having won numerous awards for his teaching, the most recent of which is the AIA/ACSA Topaz Medallion for Architectural Education.
协调人 Coordinator
史永高
Prof. Yonggao Shi
东南大学建筑学院教授，他的研究聚焦建筑学基本问题，尤其是建筑设计中的材料问题，以及地形、空间等相关延伸议题，考察它们在近现代建筑理论中的迁移与表现，以及在中国现当代建筑与城市实践中的重塑可能。著有《材料呈现：19和20世纪西方建筑中材料的建造-空间双重性研究》（2008，2017），合著《建筑设计基础》（2015）。
Professor at School of Architecture, Southeast University, China. His research focuses on the basic issues of architectural discipline, especially the problem of material in architectural design, and its extended and related field, namely topography and space. Exploring their transformation in the modern architectural theory, also the opportunity of their potentional reconstitution in the modern/contemporary architectural and urban practice in China. He is the author of The Presence of Material: Research on Material’s Constructional and Spatial Properties in the 19th and 20th Century Western Architecture (2008, 2017) and co-authored Architectural Design Basics (2015).
演讲嘉宾 Lecturers
麦海里·麦克威卡
Dr. Mhairi McVicar
英国卡迪夫大学威尔士建筑学院教授。她的研究领域包括：建成环境的价值以及社区发展； 对建筑实践过程的批判； 作为社会锚点的大学； 建筑技术和建筑理论； 以及建筑历史和理论，尤其是19至21世纪的英国和美国。
Reader, Wales School of Architecture, Cardiff University. Her research interests include Value in the built environment; community development and community asset transfers; critiques of processes of architectural practice; the University as a civic anchor; theories of architectural technology and construction; and architectural history and theory, particularly UK and USA 19th-21st century.
代表著作：
《建筑中的准确性：确定，模糊，偏移》
Selected works:
Precision in Architecture: Certianty, Ambiguity and Deviation
在当代建筑行业越发专业化的背景下，准确的沟通（图纸，规范，信件，传真和电子邮件）承担着将建筑意图转换为中性和可量化语言的复杂任务。唯此，建筑师才有可能保证设计意图和建造结果之间的对应，但是从没有任何一个建筑的最终建成状态能够完全符合建筑师的文字和图纸的规定。本书通过仔细研究Sigurd Lewerentz，Caruso St John Architects，Mies van der Rohe和OMA的建筑细节，深入探究了当代建筑实践中，建筑师们对于准确沟通怀有的期待，以及这种沟通可能带来的后果。作者质疑了这种始自19世纪中叶的建筑沟通中的确定性观念，并批判了在当代建筑生产条件下持续抱持的对确定性的执拗妄想。
In the professionalised context of the contemporary architectural profession, precise communications – drawings, specifications, letters, faxes and emails – are charged with the complex task of translating architectural intent into a neutral and quantifiable language which is expected to guarantee an exact match between the architects’ intentions and the constructed result. Yet, as any architectural practitioner will know, it is doubtful whether the construction of any architectural project may ever exactly match all written and drawn predictions. This book offers a detailed insight into the desire for, and consequences of, precise communications in the daily life of contemporary architectural practice through close readings of constructed architectural details by Sigurd Lewerentz, Caruso St John Architects, Mies van der Rohe and OMA. This book challenges claims to certainty which have been attributed to such communications from the mid-nineteenth century onwards, and critiques ongoing expectations of certainty in contemporary architectural production.
半田 留美子
Rumiko Handa
美国内布拉斯加州大学林肯分校建筑学院教授。研究领域包括：建筑理论，历史和设计；建筑的现象学和诠释学；电影，文学，戏剧和艺术中的建筑。她的著作发表在如下期刊：Interiors: Design, Architecture, Culture; The Journal of the Society of Architectural Historians; Preservation Education & Research; The Papers of the Bibliographical Society of America。 她还与其他人合著了《召唤现实：建筑在18世纪和19世纪小说中的作用》。
Rumiko Handa is Professor of Architecture at the University of Nebraska-Lincoln, USA. Research interests include: Architectural theory, history and design; Phenomenology and hermeneutics of architecture; Architecture in Film, Literature, Theater, and Art. Her writings have appeared in: Interiors: Design, Architecture, Culture; The Journal of the Society of Architectural Historians; Preservation Education & Research; The Papers of the Bibliographical Society of America; Design Studies, etc. She co-edited Conjuring the Real: The Role of Architecture in Eighteenth- and Nineteenth-Century Fiction.
代表著作:
《残缺，不完美和无常的魅力：把建筑作为自然来设计和欣赏》
Selected works:
Allure of the Incomplete, Imperfect, and Impermanent: Designing and Appreciating Architecture as Nature
作者使用从罗马体育馆到日式茶室的诸多案例，提请人们注意一个通常被忽略的领域：不完整，不完美和无常的建筑所具有的魅力。 通过关注建筑物“完工”后发生的情况，她表明“来世”实际上就是建筑物的“生命”。针对专业人士以及建筑系学生和教育工作者，本书认为建筑师有必要预见未来可能发生的变化，并将其纳入其原始设计。
Using examples ranging from the Roman Coliseum to Japanese tea rooms, she draws attention to an area that is usually ignored: the allure of incomplete, imperfect and impermanent architecture. By focusing on what happens to buildings after they are ‘complete’, she shows that the ‘afterlife’ is in fact the very ‘life’ of a building. Addressing professionals as well as architecture students and educators, it persuades architects of the necessity to anticipate possible future changes and to incorporate these into their original designs.
爱德华·福特
Edward Ford
弗吉尼亚大学建筑学院荣休教授。爱德华·福特是《现代建筑细部》（MIT，1990）和《现代建筑细部，第2卷》（MIT，1996）以及最近出版的《建筑细部》（普林斯顿建筑出版社）的作者。他是1992年《美国遗产词典》的顾问，还是《建筑图形标准》第十二版的编辑委员会成员，并且是《威利建筑指南》的撰稿人。2004年，他以托马斯·杰斐逊学者的身份访学剑桥大学唐宁学院。
Professor Emeritus in architecture, University of Virginia. Edward Ford is the author of The Details of Modern Architecture (MIT, 1990, German edition: Birkhauser, 1994, Japanese Edition: Maruzen, 2000) and The Details of Modern Architecture, Volume 2 (MIT, 1996, Japanese Edition: Maruzen, 2000), and the recently published The Architectural Detail (Princeton Architectural Press). He was a consultant to the 1992 American Heritage Dictionary, is a member of the Editorial Board of the Twelfth Edition of Architectural Graphic Standards, and a contributor to The Wiley Companion to Architecture. In 2004 he was the Thomas Jefferson Visiting Fellow at Downing College at the University of Cambridge.
代表著作:
《现代建筑细部》
Selected works:
The Details of Modern Architecture, Volume 1&2
现代建筑运动大都为建造确定良好的范式，认为建筑物应该像哥特式大教堂、飞机、汽车、轮船或原始棚屋一样被建造。作者在精神上或者形式上考察了过往的建筑在何种程度上遵循了这些建造范式，并揭示了现当代建筑的理论和技术，包括当代高技派和解构主义的建筑理论在多大程度上依赖于传统现代主义范式，以及这些当代理论通过何种方式与真实的现代建筑分道扬镳。
Most of the modern movements in architecture have identified some paradigm of good construction, arguing that buildings should be built like Gothic cathedrals, like airplanes, like automobiles, like ships, or like primitive dwellings. Ford examines the degree to which these models were followed, either in spirit or in form, and reveals much about both the theories and techniques of modern architecture, including the extent to which the current constructional theories of High Tech and Deconstruction are dependent on the traditional modernist paradigms, as well as the ways in which all of these theories differ from the realities of modern building.
