讲座一
山水画卷：社团、身体、政治
The Landscape Scroll: as a Micro Body-Politic
主讲人
朱剑飞 教授
（英国纽卡斯尔大学）
讲座时间
2023年12月5日星期二18:00（北京时间）
2023年12月5日星期二10:00（伦敦时间）
讲座渠道
Zoom 会议号：816 6538 4839
主办单位
中国东南大学
英国纽卡斯尔大学
内容提要
大家普遍认为，中国传统山水画卷采用多点透视，构成与欧洲文艺复兴时期确立的线性透视法不同的观法。这样的认识，在艺术和美学的范畴内讨论，封闭了思路，或已走到尽头。朗西埃的理论开创了一条新路径；他认为，艺术活动本身已经建立了一种具有角色、地位和权力关系的社团；他称之为“感觉的分布”。本演讲探讨宫廷画卷研究的新思路，考察画卷如何构成一个物理的分布，在微观活动中建立一种互动的、对话的政治方法。
主讲人简介
朱剑飞在天津大学和伦敦大学学院获得建筑学学士和博士。他曾在伦敦、朗塞斯顿、墨尔本任教，并在世界各地（欧洲、亚洲、北美）演讲。他于2019年上任英国纽卡斯尔大学的东亚建筑讲席教授。他出版了《中国空间策略：帝都北京》（2004英语），《现代中国建筑：历史批评》（2009英语），《形式与政治》（2018中文）；他主编了《中国建筑60年》（2019中文），并与陈薇、李华合作主编了《鲁特兰洁中国建筑研究读本》（2023英文）。他目前的研究包括：绘画作为一种分布，作为思想的山水观，媒体和地理的关系等。
对谈嘉宾
王欣 中国美术学院 副教授
邵星宇 东南大学 讲师
主持人
李华 东南大学 教授
朱昊昊 东南大学 讲师
Time
18:00, Tuesday 5 December 2023 (China)
10:00, Tuesday 5 December 2023 (UK)
Zoom
Zoom ID：816 6538 4839
Speaker
Prof Jianfei Zhu (Newcastle University)
Abstract
It is well known that traditional Chinese landscape scrolls adopted multiple perspectives offering a different way of seeing to the Linear-Perspectival framing of the Renaissance. This established understanding reaches a dead end as an enclosed debate on art and aesthetics. Jacques Rancière, on the other hand, has charted an innovative path whereby an artistic practice is already framing a community of positions or power relation – in a ‘distribution of the sensible’. This lecture explores a fresh study on the landscape scrolls of the imperial court as a micro and material construct of a dialogical approach to governance.
Bio
Jianfei Zhu studied at Tianjin University and University College London where he received his Bachelor and PhD degrees in architecture respectively. He has taught in London, Launceston, and Melbourne, and has guest lectured worldwide in Europe, Asia, and North America. He joined Newcastle University UK in 2019 as Chair of East Asian Architecture. He is the author of Chinese Spatial Strategies: Imperial Beijing (2004), Architecture of Modern China (2009), and Forms and Politics (2018, in Chinese); he is the editor of Sixty Years of Chinese Architecture (2009, in Chinese) and Routledge Handbook of Chinese Architecture (2023, with Chen Wei and Li Hua). His recent research topics include painting as a distribution, landscape thinking, and relations between media and geography.
Panellist
Associate Prof Wang Xin (China Academy of Art)
Dr Shao Xingyu, Lecturer (Southeast University)
Chair
Prof Li Hua (Southeast University)
Dr Zhu Haohao, Lecturer (Southeast University)
Host
Southeast University China, Newcastle University UK
讲座二
变化的物体：流动世界中的绘图方法
Transitional Objects: Approaches to drawing in the mobile world
主讲人
詹姆斯·克雷格 博士
（英国纽卡斯尔大学）
讲座时间
2023年12月6日星期三18:00（北京时间）
2023年12月6日星期三10:00（伦敦时间）
讲座渠道
Zoom 会议号：824 3097 3137
主办单位
中国东南大学
英国纽卡斯尔大学
内容提要
本演讲探讨仔细观察我们环境并以图绘之的意义。我们是运动的存在，我们周围也充满着运动的物体。但是，作为建筑师，我们所采用的绘图方法假设了一个静止的世界，不记录促使我们及环境流动变化的时间或氛围。本演讲以美术和建筑学的案例及我自己的研究为基础，对建筑学的再现方法的规范传统提出质疑，探索更适当的描绘方法，以此捕捉我们感知世界的复杂过程。
主讲人简介
詹姆斯·克雷格是纽卡斯尔大学建筑学院的高级讲师。他采用跨学科的研究方法，在美术实践、建筑再现法、心理分析学和记忆研究等领域之间，思考相关问题。他探索实践的核心问题，是如何运用建筑绘图方法，构成一种灾难之后的忆念形式。
对谈嘉宾
王颖 同济大学 专职研究员
宋科 哈尔滨工业大学深圳 副教授
主持人
朱剑飞 纽卡斯尔大学 教授
朱昊昊 东南大学 讲师
Time
18:00, Wednesday 6 December 2023 (China)
10:00, Wednesday 6 December 2023 (UK)
Zoom
Zoom ID：824 3097 3137
Speaker
Dr James Craig (Newcastle University UK)
Abstract
This talk will explore what it means to look carefully at our environment and to document it through drawing. We are mobile beings and much of the world’s objects have the capacity to move around us - yet, as architects, most projective techniques that we deploy envision the world as static, with little registration of the temporal or atmospheric conditions that set us and our environments in motion. Through examples from fine art and architecture drawing practice, and studies taken from my own research, this talk will provoke questions on the codified nature of architectural representation – seeking to find appropriate modes of drawing that register the complex ways in which we perceive the world.
Bio
James Craig is a Senior Lecture in Architecture at Newcastle University. His research adopts a transdisciplinary approach, operating at the intersections of fine art practice, architectural representation, psychoanalysis, and memory studies. At the centre of his practice is a question on how architectural drawing can be utilised as a form of remembrance in post-traumatic contexts.
Panellist
Dr Wang Ying (Tongji University)
Dr Song Ke, Associate Prof (Harbin Institute of Technology Shenzhen)
Chair
Prof Jianfei Zhu (Newcastle University)
Dr Zhu Haohao, Lecturer (Southeast University)
Host
Southeast University China, Newcastle University UK
讲座三
装置：作为介入建筑的一种方法
Installation as Architectural Encounter
主讲人
马修·奥滋卡-龙 博士
（英国纽卡斯尔大学）
讲座时间
2023年12月7日星期三18:00（北京时间）
2023年12月7日星期三10:00（伦敦时间）
讲座渠道
Zoom 会议号：859 8738 8461
主办单位
中国东南大学
英国纽卡斯尔大学
内容提要
看到建筑图像时，我们会把自己投射到这些图像的表现空间中并建立一个想象的关联，使我们探索并居于这些建构起来的世界中。罗宾·埃文斯（Robin Evans）把这种运行的生发的想象参与的我们称为“前沿的主体”；在此过程中，空间特别是抽象的不连续的绘图空间，通过投射想象得以“完成”。某些绘图类型还建立了密码，以协助这种“完成”，比如平面与剖面的对应；这种绘图之间的空间悬置被称为“建筑的欲望”。另外，装置在建筑学中经常被看成是一种次要的建造，而在二十世纪及新世纪的艺术实践中，装置的能力和意义得到认可；绘图的传统规范在装置艺术中得到再检验和再创造。本演讲将讨论装置，研究装置如何成为开启不同建筑图像的构架，如何促成欲望空间的建构，如何导致我们重新思考前沿的主体。
主讲人简介
马修·奥滋卡-龙博士是纽卡斯尔大学建筑学院讲师。他在本科和硕士课程中执教并主持有关设计和理论科目。他于2020年在纽卡斯尔大学完成创作类博士论文；论文研究建筑绘图的运行构架；论文以装置为依托，探讨建筑过程中的透视法基础，并把意大利文艺复兴时期的一个小剧场移位到纽卡斯尔的一个办公室。马修与詹姆斯·A·科瑞格（James A. Craig）合作，建立了一个实验性的设计平台Stasus。他们的作品参加了各种展览，论文发表在各学术平台上，包括《建筑小册子》（Pamphlet Architecture）系列，《建筑研究季刊》（arq: Architecture Research Quarterly），《新兴建筑研究论文系列》（Paper for Emerging Architectural Research (PEAR)），以及《AD》建筑杂志。
对谈嘉宾
莫万莉 同济大学 助理教授
赵越 东南大学 讲师
主持人
朱剑飞 纽卡斯尔大学 教授
朱昊昊 东南大学 讲师
Time
18:00, Thursday 7 December 2023 (China)
10:00, Thursday 7 December 2023 (UK)
Zoom
Zoom ID：859 8738 8461
Speaker
Dr Matthew Ozga-Lawn (Newcastle University)
Abstract
When we look at architectural images, we project ourselves into their representational spaces, creating an imaginative connection for us to explore and inhabit these constructed worlds. Robin Evans describes this performative, generative act of imaginative engagement as the ‘frontal subject’, in which spaces, particularly in abstract and discontinuous modes of drawing, are ‘completed’ via the projective imagination. Certain drawing types have established codes that anticipate this completion, such as the plan’s relationship to the section – a suspension of space between drawings that is also called ‘architecture of desire.’ On another front, installation is often considered in architecture as a minor mode of construction, whereas it is appreciated for its transformative effect in artistic practice over the 20th and early 21st centuries where drawing conventions have been reassessed and reinvented through installation art. In this talk, I’ll discuss installation as the framework for an encounter with disparate and varied architectural images, allowing for the construction of spaces of desire, and a reconsideration of the frontal subject.
Bio
Dr Matthew Ozga-Lawn is a Lecturer in Architecture at Newcastle University. He teaches and coordinates design and theory at BA and M Arch levels. He completed his Ph.D. by Creative Practice at Newcastle University in 2020 on the apparatus of the architectural drawing. An investigation through installation, it explores the perspectival underpinnings of architectural process in which a small Renaissance theatre in Italy is translocated into a real office at Newcastle. Matthew runs an experimental design platform Stasus with James A. Craig. Together they have been exhibited and published widely in venues including the Pamphlet Architecture series, arq (Architecture Research Quarterly), the Paper for Emerging Architectural Research (PEAR) and AD magazine.
Panellist
Dr Mo Wanli, Assistant Prof (Tongji University)
Dr Zhao Yue, Lecturer (Southeast University)
Chair
Prof Jianfei Zhu (Newcastle University)
Dr Zhu Haohao, Lecturer (Southeast University)
Host
Southeast University China, Newcastle University UK
